Caudillo

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Behind Natacha Rambova's Shadow

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.

La maleta de Helios

The son of an anarchist republican who went into exile in Mexico in 1941 brings back to Spain the suitcase with which his father left Spain. Through his testimonies we will discover the exciting story of his father, unknown until today in Spain.

Amour de vivre

An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.

Return to Life

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

Extranjeros de sí mismos

La doble vida del faquir

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

Aidez l'Espagne

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Songs for After a War

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Pitiusas 1936-1939. Los Años Grises (2ª Parte)

On September 13, 1936, Ibiza is bombed. The republican forces flee the island, but not before mass shooting all the prisoners locked up in the city castle. On September 20, the so-called national forces landed, under the command of Commander Antonio Montis Castelló and Arconovaldo Bonacorsi, better known as Conde Rossi, who began a harsh repression that would last beyond the end of the war.

Las vencidas y no derrotadas

In 1936, after the coup d'état perpetrated by Franco against democratic Spain and the subsequent dictatorship that followed a bloody Civil War, women suffered physical, sexual, economic, educational and political violence, leading to the largest theft of babies in the world. History of recent Europe. 'Las vencidas y no derrotadas' is a documentary with the testimonies of these women, whose faces bear the mark left by unhealed wounds. Its protagonists tell us about real events, reliving events that were milestones in their families, towns and cities, supported by graphic documentation of family and personal memories, as well as images and audios from historical archives.

De espalda al sol

This documentary collects, through the testimonies of five survivors, four women and one man, the tragedy experienced in “la Desbandá de Málaga and the subsequent exile to France. At the entrance of Queipo de Llano's troops into the city of Malaga, thousands of people, mostly women and children, fled to Almería along the road. They were bombed by sea, land and air by the German army, Mussolini's army and Franco's troops from the then Moroccan colony. Around five thousand people died on these two hundred kilometers of road. This exodus was known as “La desbandá”.

Beste aldea. Gizona ez den hori

In 1936, the war broke out in Spain and in 1937 the front was maintained for many months around Angiozar and Elgeta. It has often been talked about what men experienced, but women have also experienced the war. Through this documentary, their bravery and courage, both at the front and in resistance away from the front, has been highlighted and recalled.

Pitiusas 1936-1939. Las islas cambian de color (1ª Parte)

In 'Las islas cambian de color', the coup d'état and the beginning of the repression against the Republicans are narrated, highlighting figures such as Margalida Roig Colomar, to give way to the landing of Bayo, the role of the Anti-Fascist Militia Committee and its temporary dominance of the island.

Jaén, Viento del Pueblo

The documentary 'Jaén, Viento del Pueblo' places the viewer in the year 1936 and takes them to the present day, analyzing and pivoting around the processes of exhumation of the graves in the province of Jaén, the stories of relatives and experts

Dolors

The role of historians is key in the history of humanity because their objective is to investigate the past to avoid repeating the same mistakes in the future. Furthermore, they often bring to light the history of unique individuals who, due to circumstances, have not received the recognition they deserve, especially in the case of women. This documentary focuses on the work of the historian Aïda Sánchez, who rescued Dolours Vives Rodon from oblivion, one of the pioneering women in piloting aircraft in our country and who played a vital role during the Spanish Civil War.

In Battle Against the Enemy of the World: German Volunteers in Spain

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Retumba la ausencia

Documentary that recovers the memory of the neighbors who were victims of Franco's repression in the Tiétar Valley and the Sierra de San Vicente, in the province of Toledo, and surrounding towns. Many of them are listed as missing: they were made to disappear at dawn and their families never saw them again.

Cine en tiempos de guerra

The documentary film by director Bartomeu Vilà relives the experiences of one of the last cinematographers of the Republic, Joan Mariné, exceptional witness to a moment in the history of Catalan cinema that, despite the economic precariousness, the lack of means and the difficult international circumstances, was characterized by its high production, never surpassed, and its innovation in forms and contents. Through the memories and experiences of Joan Mariné (Barcelona, ​​1920), the documentary takes a tour of the films he filmed during those years of contention, both with the Sindicat d'Espectacles de la CNT/FAI, and later with the production company of the Republican Generalitat, Laya Films.

María, memorias de una niña de la guerra

The film, directed by Pedro Grimaldi, with his mother as the protagonist, narrates the events unleashed in Jerez since the occupation of the military rebels on July 19, 1936. It is a tribute to the "wounded generation", the one who lost their childhood in the context of the war and the postwar period. Girls and boys who had to mature quickly. But, above all, it is a recognition of a generation of resilient, brave and fighting women who were doubly victims: by the violence of the war itself and by their status as women.