Bikes for Africa

Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.

Smile

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

Viktor

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Black Earth

Pseudo-ethnological documents about two villages which, without roads and electricity, "stopped existing".

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Timber Front

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

Man with a Movie Camera

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A Baby Reindeer's First Christmas

Documentary following a community of herders in the Scottish Highlands preparing young reindeer for their first Christmas, including an orphaned reindeer calf who battles against the odds

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Maura

84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.

Jean Vigo : le son retrouvé

Everything

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Silence

A portrait of a family living in a village in Masuria.

L'album de famille de Jean Renoir

Blade Rollers

Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.

Bubble

A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.

Girls of Hope

In Turkey far too many women are still unable to read and write, and all they see in their life span is being forced into early marriage and relegation to the home, where they look after extended families and more children than they can feed. The girls are portrayed in their homes, together with the strongest supporters of their emancipation through education: their mothers. Girls of Hope portrays five girls who struggle for their education and, despite all the difficulties, try to hold on to their hope for a better future.

À la recherche de Jean Grémillon

Documentary about filmmaker Jean Grémillon.

AMAUTA

El campo para el hombre

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).