Lampião, o Rei do Cangaço

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)

Memória do Cangaço

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Zé de Julião, Muito Além do Cangaço

Quelé do Pajeú

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

The Bandit

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

Bruce Lee Versus Gay Power

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

Cangaceiros de Lampião

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

Maria Bonita, Rainha do Cangaço

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

O Cangaceiro

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

The Godless Bandit

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

O Cabeleira

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Viva Cangaceiro

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

Perfumed Ball

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Aroeira

No Defense

The story of the Americans who are fighting against one of the largest- known polluters in the country - the United States military.

Love in the Walls

Residents of a Melbourne social housing community strive to reclaim their own hope and identity in the face of recent deaths and a larger societal question – can we meaningfully coexist?

Torre 1

The port of a Mediterranean coastal city, which had once been the symbol of prosperity and the epicenter of life in the region, is now only the reflection of a decaying present. Static and empty shots reveal glimpses of a brilliant past, only interrupted by the intermittent sound of the construction of a residential apartment building that stands menacingly a few meters from the dock, presaging an even darker future.

In Their Own Words: The Women of Kurokawa

A documentary exposing the sexual violence euphemistically termed "entertainment" inflicted on women of the Kurokawa settler group during Japan’s imperialist expansion in Manchuria. Under state-led colonization in the 1930s–40s, Japanese settlers occupied Chinese lands. In August 1945, facing the Soviet invasion, the group offered 15 women to enemy troops in a desperate act of survival. Decades later, the survivors confront the silenced legacy of imperial violence, discrimination, and trauma. Directed by Fumie Matsubara, with narration by Shinobu Otake.

The Death of "Superman Lives": What Happened?

The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major filmmakers: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.

Maybe Logic: The Lives and Ideas of Robert Anton Wilson

Guerrilla ontologist. Psychedelic magickian. Outer head of the Illuminati. Quantum psychologist. Sit-down comic/philosopher. Discordian Pope. Whatever the label and rank, Robert Anton Wilson is undeniably one of the foundations of 21th Century Western counterculture.Maybe Logic follows a reality labyrinth which leads through the hollows of human perception to the vast star fields of Sirius where we find one man alone, joyfully accepting his status as Damned Old Crank and Cosmic Schmuck. Beaming with insight, frustration, compassion, and unshakable optimism, the ever-open eye of Robert Anton Wilson penetrates human illusions exposing the mathematical probabilities and spooky synchronicities of the 8 dimensions of his Universe.