El Estado soy Yo

The images from the landing of the first expedition of the spaceship Columbia are juxtaposed to a reflection on the function of the visual medium, and artistic creation as a whole.

Women & the Wind

Shot over the course of 30 days at sea, filmmaker Alizé Jireh documents the group’s voyage across the North Atlantic—from moments of stillness and calm to the chaos of storms and setbacks. With an observational approach and an eye for the emotional and physical rhythms of life at sea, Jireh captures not just the external landscape, but the internal shifts that come with navigating the vast unknown.

From the West

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Grandmother's Ghost Gathering

Streamed exclusively on her Instagram stories, film maker Janne Elens takes us on a short and intimate journey to her family's abandoned house to reflect on her past and communicate with her deceased grandmother's spirit.

Sam in the Bag

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

Wounded Edges

In July 2022, a forest fire broke out on Monte Gambarogno in Ticino, Switzerland. Wound Edges is my emotional response to this landscape, filmed on 16mm and hand-developed with the forest’s ashes. Each frame carries physical traces of the land’s memory, blending destruction with resilience. The soundscape—field recordings, burned wood, contact microphones on trees, and the presence of fire—echoes the forest’s wounds. A reflection on human impact, impermanence, and the haunting beauty of transformation.

Sublapse Video Mag 1

Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.

Ôrí

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Sermons and Sacred Pictures

"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Weeping Rocks

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails, meticulously counting every butterfly he sees and witnessing the slow erosion of the world. His eccentric, patient research has uncovered patterns of decline that went unnoticed for years, revealing the deep environmental impact of detrimental human activities. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

My Korean Cinema

A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)

Losing Touch

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

In the Intense Now

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

Metamorfosi

Metamorfosi is a veritable dance ballet on the rocks, performed by a great climber, Patrick Berhault, set on the picturesque French Riviera and the Lingurian coast. Berhault's movements, in the sea, in caves, on rocks and precipices, are extremely difficult but are above all executed to give the movement an aesthetic value. Matemorfosi is the story of a cycle without words, told with gestures and music. Climber Monica Dalmasso also participates in the film.

310 Tung Chau Street

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

The Red Bank. James Joyce: His Greek Notebooks

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

To Stay Alive: A Method

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

GONZALO.

Undercurrents: Meditations on Power

Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.