Heather Honey

This story happened a long time ago, when the mead makers kids skillfully knew their business, and their magnificent drink was appreciated and famous far beyond the borders of the land where they lived. One insidious and cruel ruler destroyed almost all of these mead makers. And when summer came and new heather carpeted the fields, the ruler began to yearn for the lovely drink, therefore ordered his subjects to get it...

The Ballad of Straw-Hat Sam

When two unlikely friends embark on a journey to find the world's best bourbon, they encounter strangers, freaks, and a plethora of zany horrors that will leave them forever changed.

Your Face

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

LA ÚLTIMA BALADA DE... VINEWOOD

Ballad of the Skeletons

A close-up of Allen Ginsberg reciting his “skeletons” poem is bluescreened and dissolved against archival film and video clips, and backed by musicians to create a sort of song that becomes an American anthem.

Jiyana Rewsenbireki Kurd: Casimê Celîl

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Bluebell Ballad

Soura stumbles upon a bluebell field and is left in a haunting trance, plagued by disturbing visions. She returns to the field, desperate for a solution, and meets a girl suffering a similar fate.

Ballads of the Exodus

The life of Moses as told through the Book of Exodus, the imagination of a dying boy, and the ballads of his father.

Sin piedad

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

The End of an Old Song

John Cohen, founding member of the ‘50s folk troupe the New Lost City Ramblers, started making films in order to bring together the two disciplines he was heavily active in: music and photography. The End of an Old Song brings us to North Carolina, and demonstrates the power of old English ballads sung with gusto while soused in a saloon.

The Shadows: Live

The kings of twang perform live at the Birmingham NEC in 1986, stepping out of Cliff Richard's shadow to showcase their own back catalogue of hits, including 'Apache' and 'Cavatina'.

Way Back Home

The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.

Remember That

The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.

Kosmos

The mystery of the crystals under closer examination. What is it that makes them possess magic powers as claimed by mystics of all ages? Through growing crystals directly on film their mystical qualities shine straight to the screen. Unfiltered, only aided by light which gracefully breaks its rays into rich visual textures.

Věnec

Stewpot Rhapsody

Three generations of a single family live together under a common roof in an uncoordinated choreography. The mother, acting as an orchestra conductor, tries without success to gather everyone around the same table for dinner.

The Flames of Nule

The film tells the story of Anna, Rosa and Maria, weavers from Nule in Sardinia, who are taking part in a tapestry competition. Whilst Anna and Rosa try to impress the judges making by perfect and beautiful carpets, Maria surprises the village by creating an unexpected textile. Designer, illustrator, and animator Carolina Melis' short film Le fiamme di Nule uses animation and live footage to portray the story of the three weavers in the Sardinian village of Nule. The story was inspired by a trip Meils took to the village, where she became fascinated with their traditional textile-making techniques.

Bloodlust

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.

Monsters, Inc.

Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.