Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

White Mountains

The filmmaker, Alexandros Papathanasiou, travels to Crete to meet Lefteris Eliakis, a guerrilla fighter during the Greek Civil War and a political prisoner for two decades. This insightful portrait conjures the ghosts of the Greek Civil War – the maverick people, revolutionary politics, and breathtaking events that have shaped today’s Greece.

Baraka

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Chronos

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Microcosmos

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Vud, You Won

The rise and fall of Yugoslavian filmmaker Dušan Vukotić - the only Yugoslav Oscar-winner and one of the founding members of the Zagreb School of Animation - uncannily mirrors the tragic fate of his multiethnic country.

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Wa(te)r

What is a film if not a therapeutic act? Wa(te)r is a poetiс reflection on my 2022–2023 diary entries, poured from one medium to another. I uncovered countless water metaphors intertwined with life and death throughout these entries. I often revisit recurring dreams—one of floods, the other of war—that have haunted me since childhood. Water flows, and everything changes. It ties me to the very beginning, with my mother's hands bathing me, and to the very end, with suicidal despair. All I strive to express emerges from the water, my words engulfing themselves. In these times, water is the most precious resource, reliable conduit to memories, and promise of oblivion. Dedicated to my dear mother and her protective touch.

Dream

Meditative and quiet movie about transphormations of Dnipro river in Ukraine, that touches theme of collective versus individual rights, filmed in the dusk of USSR.

Powaqqatsi

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Ardent One

An experimental film that reflects on the past, encourages audiences to live in the present and look into the future with optimism.

Naqoyqatsi

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

The Lost Weekend: A Love Story

May Pang lovingly recounts her life in rock & roll and the whirlwind 18 months spent as friend, lover, and confidante to one of the towering figures of popular culture, John Lennon, in this funny, touching, and vibrant portrait of first love.

15

Ibuka follows Valentine and Jean-Claude, a new couple, at the very beginning of the civil war and the massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the killings with their newborn. Ibuka is a poetic work filled with tenderness and clarity about a historical tragedy, experienced through the intimacy and formation of a young family forever bonded.

Yo sentí su amor

Through an unsent letter, the author travels through time and recalls moments when love affected him intensely. Evocative images explore how pain and beauty intertwine with maturity on a journey guided by childhood friends, political disappointments, fleeting romances, and the loss of loved ones.

The Pig and the Society

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Women & the Wind

Shot over the course of 30 days at sea, filmmaker Alizé Jireh documents the group’s voyage across the North Atlantic—from moments of stillness and calm to the chaos of storms and setbacks. With an observational approach and an eye for the emotional and physical rhythms of life at sea, Jireh captures not just the external landscape, but the internal shifts that come with navigating the vast unknown.

Vidíš-li poutníka

Life in a Day

A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.