The Revolution Will Not Be Televised

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Testimonio de un obrero petrolero

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

La autonomía ha muerto

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Mayami nuestro

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

El rey del bandolín

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Hugo Chávez: Itinéraire d'un révolutionnaire

La Memoria es un Caracol

Documentary about the life of Luis Mariano Rivera.

Imagen de Caracas

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

We Keep on Looking for You

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

Azu

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Black River

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.

Little Square

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Bolívar, Faro de América

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Islam's Non-Believers

The film documents the lives and experiences of ex-Muslims: people who have left Islam to become atheists, and who often face discrimination, harassment, ostracism and violence for leaving Islam, both in the UK and abroad.

A Question of Origins

Understanding mankind's true origin is essential in determining one's final destiny. This visually rich, full production presents conclusive evidence that the universe and all life were created. In addition, scientific foreknowledge found only in the Bible reveals that the God of the Bible is the Creator. A Question of Origins is essential viewing for anyone who has questions or doubts concerning the scientific accuracy of the Word of God. A great witnessing tool intended for our current generation.

Jesus Christ / Joseph Smith

Jesus Christ / Joseph Smith takes a firm, detailed look at the teachings of Joseph smith, founder of the Church of Jesus Christ of Latter Day Saints otherwise know as the LDS Church. Using historical LDS church documentation this video compares Joseph's message with the biblical message of Jesus' teachings. Was Joseph Smith a prophet or a deceiver? You be the judge as you watch this informative 90 minute production.

Microcosmos

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

The Truth About Gay Animals

Examines the subject of homosexuality in animals. Scott Capurro visited various collections of captive animals to observe animals which had been reported to exhibit homosexual behaviour, and interviewed the staff about this. The show also included an interview with anti-gay rights campaigner and politician, Janet Young, where Capurro showed Young a video of a variety of male-male intercourse and female-female mating attempts in various animal species, and then asked her to comment on whether this influenced her views about its "unnaturalness"

Hell Hath No Fury: The Making of The Outlaw Josey Wales

John Milius narrates this featurette on the Clint Eastwood classic.

RE:MEMBER

RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.