Torre 1

The port of a Mediterranean coastal city, which had once been the symbol of prosperity and the epicenter of life in the region, is now only the reflection of a decaying present. Static and empty shots reveal glimpses of a brilliant past, only interrupted by the intermittent sound of the construction of a residential apartment building that stands menacingly a few meters from the dock, presaging an even darker future.

Le regard de Georges Brassens

An atypical portrait of singer, songwriter, poet Georges Brassens.

Grandmother's Ghost Gathering

Streamed exclusively on her Instagram stories, film maker Janne Elens takes us on a short and intimate journey to her family's abandoned house to reflect on her past and communicate with her deceased grandmother's spirit.

Nova the Film

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Cormac McCarthy's Veer

Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious

The High Way to Die

Produced by Jack McGaw and co-produced by The National Research Council, the Ontario Ministry of Transportation of Communications, and Toronto/Ontario Provincial Police, they demonstrate dangers of driving under the influence of alcohol and drugs with participating young drivers alongside field experts and researchers to aid in their experiments.

Dixie Chicks: Shut Up and Sing

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Shutdown: The Rise and Fall of Direct Action to Stop the War

In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.

Joe Dimaggio 1, 2, 3

The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.

Wounded Edges

In July 2022, a forest fire broke out on Monte Gambarogno in Ticino, Switzerland. Wound Edges is my emotional response to this landscape, filmed on 16mm and hand-developed with the forest’s ashes. Each frame carries physical traces of the land’s memory, blending destruction with resilience. The soundscape—field recordings, burned wood, contact microphones on trees, and the presence of fire—echoes the forest’s wounds. A reflection on human impact, impermanence, and the haunting beauty of transformation.

The Third Man

The moment where American sprinters Tommie Smith and John Carlos raised their gloved hands in defiance on the podium at the 1968 Mexico City Olympics is one of the most memorable images in sports history. But there is a third man in the photo, the white Australian who finished second to Smith and ahead of Carlos in the 200 meters. His name is Peter Norman, and he stands in quiet solidarity with them. Norman’s story is retold in this film with passion and perspective.

WigWigWig

Experimental self portrait

Bydlo

An experimental short film about wind and sunlight sweeping across tree leaves.

Inside the Iranian Uprising

In September 2022, a 22-year-old Iranian woman, Mahsa Amini, died in police custody. She had been arrested by Iran’s religious police, accused of not wearing her hijab properly. The authorities said she had died of a heart attack, but rumors spread that she had been beaten on arrest. Citizens took to the streets in their thousands in fury. This is an extraordinary and shocking insight into what has been happening across Iran, revealing a regime under huge pressure and resorting to extreme cruelty to control its citizens.

Bil'in Habibti

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Mit mívelt Isten

Le crash

The Cry of the Marsh

Marshes are the breeding grounds of millions of water-birds and untold numbers of interrelated wildlife. These precious wetlands are being drained, victims of man’s relentless search for more farmland and urban space. The film captures the poetic beauty of marsh life, then the terror and awesome finality which results when man reclaims a marsh for his purposes.

The Mermaid

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Losing Touch

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.